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Adventurous theatergoers, welcome! Our multi arts coverage includes Broadway, Off and Off off Broadway, Experimental Theater, Dance, Film, Opera and International Festivals. Read our history.

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"Jacuzzi" at Ars Nora

"The Valley of Astonishment" by Peter Brook at the Theatre for a New Audience

"Can Can" at Paper Mill Playhouse

"You Can't Take it With You" at Longacre Theatre

"Indian Ink. " at Roundabout Theatre Company

"Love Letters" at Brooks Atkinson Theatre

"I Like To Be Here: Jackson Heights Revisited, Or, This Is a Mango"

"The Valley of Astonishment" at Theatre for a New Audience

"Rococo Rouge" at Theater-Lounge

"This Lingering Life" by Chiori Miyagawa at Here

"Embers" by Beckett at BAM

"riverrun" at BAM

"Red Eye of Love" at Dicapo Opera Theater

"A Gentleman's Guide to Love and Murder" at Walter Kerr Theater

"Cabaret" at Studio 54 (again)

"Lady Day at Emerson's Bar & Grill"

Edinburgh Fringe Festival: Party Politics

Edinburgh Fringe Festival: War

Edinburgh Fringe Festival: Repression

Penny Arcade's "Longing Lasts Longer"

"Violet"

"Romeo and Juliet"

"Der Gelbe Stern" (The Yellow Star)

"Fuerza Bruta: Wayra"

"Of Mice and Men"

"Forbidden Broadway Comes Out Swinging"

"Dear Mom"

"The Cripple of Inishmaan"

"Much Ado About Nothing"

"The Old Woman"

"Ayckbourn Ensemble"

"If/Then"

"Satchmo at the Waldorf"

Two views of "The Killer"

Two views of "The City of Conversation”

"Under My Skin"

"BenDeLaCreme"

"Simons Green: So, This Then Is Life"

"The Few"

"All the Way"

"Tony n' Tina's Wedding"

"After Midnight"

"Sotto Voce"

"The Norwegians"

Three views of "Beautiful-The Carole King Musical"

Matilda, the Musical

"The Book Of Mormon"

 

MORE THEATER REVIEWS

 

The Anahid Sofian Dance Company

Performance Mix Festival at Here

Sarasota Ballet's Ashton Festival

"Charlotte's Song" at Theater for the New City

Anna Sokolow Way

"A Rite" by Anne Bogart, Bill T. Jones, and Janet Wong at BAM

Leimay’s “Becoming-Corpus” at BAM Fisher

Avignon Festival avant garde and traditional dance-theater pieces tell haunting stories of life and politics

MADCO performs MILLS/works at New York Live Arts

"Breaking Surface" at Theater for the New City

Nordic Modern Dance at the Joyce Theater

Pacific Northwest Ballet at City Center

Meryl Tankard's "The Oracle"

 

 

MORE DANCE REVIEWS

"Canopy"

Revisiting the Boston bombings through Carol Reed's "Odd Man Out" (1947)

"Ghost Cat of Otama Pond"

"Les Misérables"

Katy Perry: Part of Me

Pariah: Extremely Lesbian and Incredibly Butch

"Crazy, Stupid Love"--A Convincing Argument for Monogamy

"Every Day" -- is it "Ordinary People" Redux?

 

MORE FILM REVIEWS

"Marjorie Prime" at the Mark Taper Forum

Edinburgh Fringe Festival: Party Politics

Edinburgh Fringe Festival: War

Edinburgh Fringe Festival: Repression

"The Soongs: By Dreams Betrayed" in Hong Kong

The Other Face of Cuban Jazz

Botanical Night is Berlin’s best music party of the year

Nice Jazz Festival in Nice, France

"Mary T. and Lizzy K." at Arena Stage in Washington, D.C.

"The Year of Magical Thinking" in St. Augustine, FL

Birmingham Royal Ballet

Speaking words of Wisdom at the Ulster Bank Dublin Theatre Festival

 

 

"Lady Day at Emerson's Bar & Grill" is a stunning jazz cabaret by Audra McDonald
Wrapped in a white gown, an iconic white gardenia in her hair, Audra McDonald channels Billie Holiday — her voice, her accent, her manner — till you believe you are sitting in the slightly tacky Philadelphia dive where Holiday sang her last songs. By Lucy Komisar.

"BenDeLaCreme"
The wonderfully intimate, 80-seat, Laurie Beecham Theatre, situated across from Theatre Row, and a few blocks west of Broadway, presents "BenDeLaCreme," an extravagant show which celebrates artifice and fantaisie. "BenDeLaCreme" is a subtle combination between performing and visual arts with a love of spectacle and glamour. By Edward Rubin.

"Bonnie Lee Sanders is fanciful and moody at Pescatore cabaret"
Cabaret singer/song-writer Bonnie Lee Sanders is fanciful and moody. She begins rather optimistically at the second-floor cabaret at Pescatore on Second Avenue singing "Spring is Here," but then moves into musical angst, of loves that are gone.

"The Second Time Around"
The first time around, Karen Wyman was a 16-year-old Bronx belting sensational who sparked viewers of TV's "The Dean Martin Show" to sit up and take notice. This young performer demanded attention and she got it in on "The Ed Sullivan Show," "The Tonight Show Starring Johnny Carson," and just about every other variety show on television and in 1969, variety shows were the key to success. Nightclubs and recordings followed and Karen Wyman was looking at stardom.

"Sweepin' the Clouds Away"
You got rhythm, you got music, you got your men - who could ask for anything more? it was all there at Lyrics and Lyricists' second show of the season at the 92nd Street Y. By Elizabeth Ahlfors.

Holiday in a Barbour Shop
"It's the Most Wonderful Time of the Year" -- the 1963 holiday favorite, could not have rung more true. You usually hear the captivating richness of Broadway baritone, James Barbour, on the Broadway stage, acclaimed in major musicals like his portrayal of Sidney Carton in the short-lived, "A Tale of Two Cities." Catching him upfront and personal in the intimacy of a cabaret room, however, brings special rewards. James Barbour deivered them in his "Sixth Annual Holiday Concert: A Broadway Tradition" at 54 Below, 254 West 54 Street. By Elizabeth Ahlfors.

A Smooth Texas Blend
This eclectic trio never cut a record. They only performed together for a few years but in those years, they were hot. Sharon Montgomery, Sally Mayes and Billy Stritch created "Montgomery, Mayes and Stritch". This was one of those nights to remember.By Elizabeth Ahlfors.

Sherie Rene Scott and a well-done "Piece of Meat"
Sherie Rene Scott takes us on a journey that I suspect will never end, her passionate search for understanding, love and joy in the energy of the universe. In her cabaret show, “Piece of Meat” at 54 Below, Scott is a sexy and energetic performer just as she was in her Tony nominated Broadway show, “Everyday Rapture.” By Elizabeth Ahlfors.

Prince of Broadway comes to the cabaret
Tony award winner Faith Prince stars in a rare cabaret show directed by Dan Foster, proving that a star used to a big stage can still connect with a more intimate audience. By Elizabeth Ahlfors.

Pizzarelli Party Time at the Carlyle
John Pizzarelli brings his quartet and his father, Bucky Pizzarelli, to the Cafe Carlyle. The two Pizzarelli virtuosos share the stage and give-and-take with a mutual admiration and intimacy that envelops the music. By Elizabeth Ahlfors.

An Early Night for 11 O'Clock
For a special one-night only performance, producer Scott Siegel has brought together on stage Carole J. Bufford, Scott Coulter and Christina Bianco to present "11 O'Clock Numbers at 7 O'Clock" at Birdland. By Elizabeth Ahlfors.

Down Home Diva
Patricia Racette is not opera’s first world-class soprano to share her down-to-earth side in an intimate cabaret. She is, however, one of the few who is a natural. In her show at 54 Below, “Diva on Detour, ” Racette demonstrated a sharp acting talent and a flair for comedy. With her well-tempered chest voice, this star of opera houses like the Metropolitan Opera and La Scala chose some of the American songbooks’ favorite standards and some of the most heart-wrenching ballads and embraced them in true cabaret diva passion. By Elizabeth Ahlfors.

"Let's Get Busy" with Tanya Holt
In the words of a 1918 song, “There are smiles that make us happy, ” andd now there is Tanya Holt with a smile that radiates and a voice that shines. Her one-night only show, “Forever Home, ” at the Iridum, was an offering of romance, sass, jazz, pop delivered with the joyful love of entertaining. With a smoky voice and a vocal belt that’s a satisfying burst of clarity, Holt made the evening an appealing commitment between her eclectic song deliveries and her audience. By Elizabeth Ahlfors.

The A-Maz-ing Marilyn Maye is Back and 54 Below's Got Her
Conductor Peter Nero stated, "She sets the standard for the way any pop, jazz or big band singer would like to sound." That still holds true. At almost 85, the irrepressible Marilyn Maye remains as good as it gets. As Johnny Carson commented on The Tonight Show, "And that, young singers - is the way it’s done." By Elizabeth Ahlfors.

No Nepotism Needed with Adam Guettel at 54 Below
The son of Mary Rodgers ("Once Upon a Mattress") and grandson of Richard Rodgers (composing partner to Lorenz Hart and Oscar Hammerstein II), Adam Guettel has developed a singular music sound of his own. While handsome enough to star in one of his own musicals and an expressive singer as well, Guettel invited Stephen DiPasquale and Whitney Bashore, two exquisite performers to join him in a 90-minute show at 54 Below. By Elizabeth Ahlfors.

An Evening with Edward Hibbert
Edward Hibbert, familiar to many as "Gil Chesterton, " gourmet critic on the TV series, "Frasier, " does not bound onto the cabaret stage, rarin’ to go. Stylishly, he sails through the audience, head high, back straight, and slight smile, and places himself before the microphone. Slowly his smile expands to a mischievous grin and, with utmost Noel Coward élan, performs "Why Must the Show Go On?" And so begins his one-man show, "Can’t Something Be Done?: An Evening with Edward Hibbert!, " the show where, he says, "I popped my cabaret cherry." A program of clever anecdotes punctuated with songs by Cole Porter, Noel Coward, Cy Coleman and more, whimsically traces his journey from theater to television and now intimate cabaret at 54 Below. By Elizabeth Ahlfors.

John Lloyd at the Café Carlyle
It was memory time at the Café Carlyle, remembering as John Lloyd Young’s confident tenor and strikingly clear falsetto hit the money notes in the ‘50’s and ‘60’s oldies. The cabaret show, however, was not about the Four Seasons songbook. Its focus was to introduce Young’s new CD, "My Turn." By Elizabeth Ahlfors.

"The Pixie in Gold Lame"
Ya gotta say, Tovah Feldshuh is an entire vaudeville show wrapped up as one sprightly imp. She makes her “under Broadway debut” at 54 Below, singing, telling stories, cracking jokes and sharing memories. She is a zesty, zany powerhouse who scampers onto the stage and never rests. When she sits, it is to morph into one of her characters, like the old man in the park trying to stay positive and treasuring his memories, or evoking the image of her Grandma Ada who urged her to persevere even when young Tovah wanted to be an actor. “Reach for the stars and you may get to the roof, “ she told Tovah. “If you reach for the roof you may never get off the ground.” By Elizabeth Ahlfors.

Amanda McBroom's "A Valentine Rose" at the Cafe Carlyle
“A Valentine Rose” is not kid stuff. It’s “romance, adult style” for singer, songwriter, actor Amanda McBroom’s debut at the Café Carlyle, bringing a zesty lineup of music delivered with perception and humor (“I feel like I’m in Rhonda Fleming’s living room!”) McBroom, a stylish, outgoing, upbeat performer, chooses some of the best from standard songwriters like Dorothy Fields, Sammy Cahn and Jacques Brel. She also adds numerous original songs that reach out and touch love’s various facets. By Elizabeth Ahlfors.

SHOWS AND EXHIBITIONS AROUND TOWN IN MAY, 2014
Kevin Murphy & Laurence O’Keefe’s HEATHERS: The Musical, Robert L. Freeman & Steven Lutvak’s A GENTLEMAN’S GUIDE TO LOVE & MURDER, Robert Sternin & Prudence Fraser’s UNDER MY SKIN, James MacMillan’s "SINCE IT WAS THE DAY OF PREPARATION" Religious Caution Advised, Richard Brinsley Sheridan’s THE RIVALS, Christian Rizzo’s Lyon Opera Ballet in ni fleurs, ni ford mustang Unrate able; Not Unbeat able, Jeff Blumenkrantz’s MOVING RIGHT ALONG: The World of Jeff Blumenkrantz, David Lang’s battle hymns, Anthony Giardina’s THE CITY OF CONVERSATION, Terry Teachout’s SATCHMO AT THE WALDORF, ISH’s Amsterdam Inspired HYPERISH, Anton Dudley & Stephanie DiMaggio’s 17 ORCHARD POINT, Gardner McKay’s SEA MARKS, Carole J. Bruford’s SHADES OF BLUE, Jon Robin Baitz’s THE SUBSTANCE OF FIRE, BAM & Brooklyn’s DANCE AFRICA FESTIVAL, Gene Ionesco’s THE KILLER, A Story of Two Museums: An Ethnographic Exhibition, The Poetry of Parmigianino’s "Schiava Turca", ENGLIGHTENMENT & BEAUTY: Sculptures by Houdon & Clodion, THE POWER OF WORDS & IMAGES IN A WORLD AT WAR, URS FISCHER, LAUNCHPAD FOR THE AMERICAN THEATRE: The O’Neill Since 1964, CHARLES JAMES: Beyond Fashion, THE PRE RAPHAELITE LEGACY: British Art & Design, LOST KINGDOMS: Hindu Buddhist Sculpture of Early Southeast Asia…, GATSBY TO GARP: Modern Masterpieces from the Carter Burden Collection, A DIALOGUE WITH NATURE: Romantic Landscapes from Britain & Germany, MIRACLES IN MINIATURE: The Art of the Master of Claude de France, Rembrandt Now On Line at the Morgan: Study His Etchings in the Privacy of Your Own Home!, MULTIPLE EXPOSURES: Jewelry & Photography, HOMEFRONT & BATTLEFIELD: Quilts & Context in the Civil War, SPRING MASTERS NEW YORK.

Report for The Month of April 2014
Ted Shen's A SECOND CHANCE, Lanie Robertson's LADY DAY AT EMERSON'S BAR & GRILL, Tom Kitt & Brian Yorkey's IF/THEN, Woody Allen's BULLETS OVER BROADWAY, John Steinbeck's OF MICE & MEN, David Ives' THE HEIR APPARENT, Bert Brecht & Kurt Weill's THE THREEPENNY OPERA, Scott Z. Burns & Steven Soderburgh's THE LIBRARY, Will Eno's THE REALISTIC JONESES, Kander, Ebb, & Masteroff's CABARET, Kander & Ebb's CABARET, Jeanine Tesori & Brian Crawley's VIOLET, Martin McDonagh's THE CRIPPLE OF INISHMAAN, John Cameron Mitchcell & Stephen Trask's HEDWIG & THE ANGRY INCH, Harvey Fierstein's CASA VALENTINA, Eric Coble's THE VELOCITY OF AUTUMN, Stephen Cole's INVENTING MARY MARTIN: The Revue of a Lifetime, Charles Ludlam's THE MYSTERY OF IRMA VEP: A Penny Dreadful, Jules Massenet's CENDRILLON, David Grimm's TALES OF RED VIENNA, DON JUAN, OR, THE WAGES OF DEBAUCHERY, Robert Sickinger & Alaric Jans' NICHOLAS NICKLEBY: A New Musical, James Lapine's Adaptation of Moss Hart's ACT ONE, Joseph Haydn's ORLANDO PALADINO.

Humana Festival 2014
Report for The Humana Festival of March April 2014, THIS WAS THE HUMANA THAT WAS, Big Bucks for Playwriting! American Theatre Loves the Harold & Mimi Steinberg Charitable Trust!, ATCA! Why Not Honor Designers, as Well as Playwrights? Here's a Modest Proposal:, Ted Talk Therapy for FACTA Board Members?, Meanwhile, Back To The Panels: Thinking About Social Media--Learning to Twitter & to Tweet, A Panel to Remember: The Art of Collective Invention--Who Needs a Playwright?, Not Inhumane, but also Not Humana: Darting Across Main Street to the Whiskey Lofts, Welcome to Baron's Theatre in What Once Was Squirrelly's Magic Tea Room!, Diana Grisanti & Steve Moulds' THE STRANGER & LUDLOW QUINN, And Now for Actors Theatre Louisville & The 38th Humana Festival of New American Plays!, Kimber Lee's brownsville song (b side for tray), Dorothy Fortenberry's PARTNERS, SITI's STEEL HAMMER, Lucas Hnath's THE CHRISTIANS, Jordan Harrison's THE GROWN UP, A Commissioned Committee's REMIX 38, The So Called TEN MINUTE PLAYS:, Rachel Bonds' WINTER GAMES, Jason Gray Platt's SOME PREPARED REMARKS (A History in Speech), Gregory Hischak's POOR SHEM.

March 2014 Roundup
The Bard’s ANTONY & CLEOPATRA / Quiara Alegría Hudes’ THE HAPPIEST SONG PLAYS LAST / Henrik Ibsen’s A DOLL’S HOUSE / Marsha Norman & Jason Robert Brown’s THE BRIDGES OF MADISON COUNTY / David Henry Hwang’s KUNG FU / Jean Paul Sartre’s NO EXIT / Sarah Ruhl’s STAGE KISS / Red China’s THE RED DRESS / Robert Askin’s HAND TO GOD / Will Eno’s THE OPEN HOUSE / Randy Sharp’s NOTHING ON EARTH CAN HOLD HOUDINI / Chris Marlowe or Will Shakespeare’s MEASURE FOR MEASURE / Polly Pen & Victor Lodato’s ARLINGTON / Disney’s ALADDDIN / Robert Schenkkan’s ALL THE WAY / LIFE INTERNATIONAL/ 19 FEBRUARY 1968/p. 36: / GUEST COLUMN by Glenn Loney - Another View of LBJ / Sly Stallone, Tommy Meehan, Stephen Flaherty, & Lynn Ahrens’ ROCKY / Terrence McNalley’s MOTHERS & SONS / Victor Hugo’s Musicalized LES MISÉRABLES / Casus’ KNEE DEEP / Chris Marlowe, Ben Jonson, or Will Shakespeare’s KING LEAR / Branden Jacobs Jenkins’ APPROPRIATE / Brian Richard Mori’s HELLMAN V. MCCARTHY / Cirque du Soleil’s AMALUNA / John Van Druten’s I REMEMBER MAMA / Lorraine Hansberry’s A RAISIN IN THE SUN / Scott Siegel’s BROADWAY BY THE YEAR - The Broadway Musicals of 1940-64.

February, 2014 Roundup
Will Shakespeare or Chris Marlowe’s KING LEAR, Clare Coss’ DR. DuBOIS & MISS OVINGTON, John Patrick Shanley’s OUTSIDE MULLINGAR, Barry & Liz Peak’s PHILOSOPHY FOR GANGSTERS, Donald Margulies’ DINNER WITH FRIENDS, Greg Edwards & Andy Sandberg’s CRAVING FOR TRAVEL, Juilliard & the Met Opera Present A CONCERT OF COMIC OPERAS, Eric Simonson’s BRONX BOMBERS, Benjamin Britten’s BILLY BUDD [High Winds/Deep Snow], Bob Marley’s THREE LITTLE BIRDS, Nilo Cruz’s SOTTO VOCE, Caryl Churchill’s LOVE & INFORMATION, Carole King & Friends’ BEAUTIFUL: The Carole King Musical, John Van Druten’s LONDON WALL, Thomas Keneally & Larry Kirwan’s TRANSPORT, Charles Busch’s THE TRIBUTE ARTIST, Douglas Lackey’s DAYLIGHT PRECISION: An American Tragedy, David Rossmer & Steve Rosen’s THE OTHER JOSH COHEN, Scott Siegel’s BROADWAY BY THE YEAR: Broadway Musicals of 1915 1939, Paddy Chayefsky’s MIDDLE OF THE NIGHT, At the Juilliard School: JUILLIARD ORCHESTRA Conducted by Hans Graf [Austrian] &BEYOND CARMINA BURANA: Carl Orff Commentaries Creating Prometheus & Ein sommernachtstraum…

January, 2014 Roundup
An Expeditious Expedition to Holy Places in Portugal & España, Sophie Treadwell's MACHINAL,Scott Siegel's 12th ANNUAL NIGHTLIFE AWARDS 2014, Bert Brecht's A MAN'S A MAN, Miral Kotb & Crew's iLUMINATE, Joe Orton's LOOT & THE LONELINESS OF THE LONG DISTANCE RUNNER.

"Rococo Rouge" at Theater-Lounge
From the serious nature of the first dance, with its period shoes, luscious costumes, tight group work, and fantastic singing by the operatic soprano Brett Umlauf. Umlauf’s exceptional vocal quality, nuanced performance and consistent delivery throughout the show made for pure pleasure. By Philip Sandstrom.

The Dark and Wacky Side of Life
The Amoralists proudly present The Gyre, a two play repertory exploring man's vicious cycles, featuring the World Premiere of Derek Ahonen's "The Qualification of Douglas Evans", directed by James Kautz, and the world premiere of Mark Roberts' "Enter at Forest Lawn", directed by Jay Stull. By Philip Sandstrom.

Anahid Sofian Celebrates 35 Years
The Anahid Sofian Dance Company celebrated its 35th Anniversary June 28 and 29, 2014 at Manhattan Movement & Arts Center, presenting a retrospective of its signature works and works by guest artists: Nourhan Sharif and Dancers, The Sera Solstice Ensemble, Souren Baronian Music Ensemble and Carlos Fittante & Robin Gilbert. By Barney Yates.

Reading Voices: The Art of Supertitles
We are accustomed to speaking about many disciplines of the performing arts, but the art of supertitles is almost always overlooked. Althought indispensable to world theater, this art is under-appreciated. Both mysterious art and art of compromise, supertitles is, "A way of connecting different cultures," according to Mauro Conti of Presscott Studio in Italy. By Claire Taddei.

Singing and Dancing towards the Heavens.
The newest Wooster Group work directed by: Kate Valk, "Early Shaker Spirituals" is a performance based on a 1976 LP of Shaker hymns, marches, anthems, and testimony recorded by Sister R. Mildred Barker and the sisters of the Shaker community in Sabbathday Lake, Maine. The show features Cynthia Hedstrom, Elizabeth LeCompte, Frances McDormand, Suzzy Roche with Matthew Brown, Modesto Jimenez, Bobby McElver, Bebe Miller, and Andrew Schneider.

Book review: Two views of "New Orleans Carnival Krewes: The History, Spirit & Secrets of Mardi Gras"
Jack Anderson writes: People like to parade. People like to party. People like to don extravagant or even outlandish outfits that have nothing to do with the sober stuff they might choose as workaday attire. People simply like to show off. And certain communities are celebrated for allowing citizens and visitors to do just that. One city famous, even notorious, for revelry is New Orleans, with its balls, parades, and carnivals. Mardi Gras ("Fat Tuesday") may literally be only a single day: the day preceding Ash Wednesday, which opens the penitential season of Lent. But in New Orleans the Mardi Gras spirit seizes the city weeks before that and never really leaves it.Paulanne Simmons adds: Most of all, O'Neill reveals how Mardi Gras epitomizes the best in New Orleans: the sense of family, the love of life that comes with food and drink and dress, and the special magic that are the soul of this great city.

"Daylight Precision" by Douglas Lackey
Jerry Tallmer, who served in World War II as a radioman on B-25 bombers, previews "Daylight Precision" by Douglas Lackey, a play that takes us back to World War II and into the great controversies involving strategic bombing. In that war, the U.S. began by avoiding population centers but ended up destroying them. Lackey shows how the change came about by tracing the careers of Generals Haywood Hansell and Curtis ("Bomb them back to the Stone Age") LeMay. Over 700,000 civilians lost their lives because Hansell lost his command to LeMay and this play characterizes Hansell as the unsung tragic hero of World War II. Theater for the New City presents the provocative history play February 21 to March 16, directed by Alexander Harrington.

Dance in the Body You Have
There are a lot of life's lessons you can learn from productions of mixed-ability companies, where wheelchairs and crutches are danced with as partners, props, or conceptual objects d'art. "The Women's Stories Project," by Kitty Lunn's Infinity Dance Theater, is one such experience. By Barney Yates.

1+1+1=4
Philip W. Sandstrom interviews Tere O'Connor about his new work “BLEED” that is premiering at BAM Fisher in the Fishman Space.

Ich, Kürbisgeist
Ich, Kürbisgeist is set in a harsh, quasi-medieval landscape facing destruction, populated by a community speaking a rigorous, specific and completely invented language, where each word is a somewhat-recognizable amalgam of English, Swedish, German and Sid Caesar. Partly centered on the annual harvest, the work includes at least 100 pumpkins, with new ones needed for every performance. By Philip J. Sandstrom.

BAM presents Angelin Preljocaj’s "And then, one thousand years of peace"
A work inspired by the apocalypse as conjured by St. John in the Book of Revelations and created with an international team of collaborations. Interview with Angelin Preljocaj By Philip Landstrom.

My first time at La MaMa
Yara Arts Group's "Fire. Water. Night, " conceived and directed by Virlana Tkacz, was a sudden immersion experience for me into the international, interdisciplinary forms of theater that La MaMa is known for. This combination of dance and theatre based on Ukrainian myth was incredibly dynamic, featuring audience participation in every facet of the piece. By William Gutierrez.

For Jean Stapleton: The Mingling Miracles of Edith Bunker
An emotional goodbye to actress Jean Stapleton, best known for playing loveable wife and mother Edith Bunker on long-running sitcom "All in the Family." By Jerry Tallmer.

 

 

 


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