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Adventurous theatergoers, welcome! Our multi arts coverage includes Broadway, Off and Off off Broadway, Experimental Theater, Dance, Film, Opera and International Festivals. Read our history.

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THIS JUST IN

"Venus in Fur"

"Il Mondo Della Luna"

"The Garage"

"Woodworm"

"Zero Hour"

"Search and Destroy"

"Finian's Rainbow"

"The Emperor Jones"

"Circle Mirror Transformation"

"Wishful Drinking"

"The Understudy"

"In the Next Room, or the Vibrator Play"

"Billy Elliot the Musical"

"Memphis"

 

MORE THEATER REVIEWS

Richard Alston Dance Company

"A Light Convesation"

"Burn the Floor"

"Sundowning"

"Songs of Ascension"

Sidi Larbi Cherkaoui: "Orbo Novo"

The Lucidities of Lucinda Childs

New Russian Choreography at the Storefront

Discovering Tulsa Ballet

Gabrielle Lansner's Human Scenery

 

MORE DANCE REVIEWS

Berlin 36

Harry Potter Needs a Shave

"Irangeles": Will Romeo Get Circumcized for Love?

"Pray the Devil Back to Hell" An Interview with Director Virginia Reticker

"The Caller" You Don't Necessarily Have to Hang Up

Roman de gare by Claude Lelouch

Films of Jacob Burckhardt

MORE FILM REVIEWS

Under the Sun of Sarasota

Roundup in the Washington, DC and Arlington Area

"L'Orestie" d'Eschyle in Paris

"Low:Meditations Trilogy Part 1"
at the Adrienne Arsht Center Studio Theatre in Miami

Glenn Loney in Jordan

Twyla Tharp in Miami

 

"Sojourn at Ararat"
It's been called 'timely and timeless': "Sojourn at Ararat" is the unheard voice of an unknown people and the telling of their unknown story through poetry. Based on the English translations of Armenian poetry spanning 2000 years, the message it conveys is universal: love, human tragedy, the futility of war and violence, but ultimately, hope. "Sojourn at Ararat" finally comes to New York after first coming to life in the late 1980s, so we spoke to co-creator performer Nora Armani about this moving and much acclaimed piece of theater. By Georgia Clark.

The Bard, From Scratch, For Laughs.
This January New York plays host to Chicago's hugely entertaining Improvised Shakespeare Company. The title says it all: Shakespeare, sans the script. Sound impossible? We spoke to the group's founder Blaine Swen about the ins and the outs of their hey nonny nonnies. By Georgia Clark.

"Auto Da Fe"
The always-ambitious International WOW kicks off the new year with "Auto Da Fe", a realization of the classic Odysseus story. With a 30-strong cast onstage, the tale is told as if the hero of Homer's epic poem has returned to his homeland but it's been replaced by an industrial wasteland called the Memory Pit, that's being run by the History Processing Operation. The play, originally produced in Kyoto and Tokyo, is a dreamscape of collective amnesia, life during wartime, the self-conscious erasure of history and national identity, and a search for meaning and beauty. We spoke to ensemble member Melissa Chambers about the creation of this adventurous new work. By Georgia Clark.

"Mortal Engine"
Contemporary Australian dance company Chunky Move return to New York this December with a new show, "Mortal Engine". The performance uses movement-and-sound-responsive visual projections to portray an ever-shifting, shimmering world. We chatted with director and choreographer Gideon Obarzanek about the process of creating this compelling new work. By Georgia Clark.

"Highly Evolved Human"
Nick Ross turns his experience with cancer into an underground comedy hit with "Highly Evolved Human" at Upright Citizen's Brigade Theater. By Georgia Clark.

An Ocean of Longing: "Halt!"
"Halt!" is a free dance piece for the Whitehall Ferry Terminal where you might find yourself part of the action. By Georgia Clark.

And Then There Was Light.
A new interdisciplinary work, "She Turned on the Light," finds connections between memory, and different generations. Georgia Clark delves into the inspiration for Wendy Woodsons production in this interview.

Not Your Average Punch and Judy
When is the last time you saw a good puppet show? The characters in "A Quarreling Pair" are far more than your average Punch and Judy. Drawing from boho American writer Jane Bowles' great literary work, this unique show proves that this art form isn't strictly for children. We spoke to Cynthia Troup, writer and a founding member of the always intriguing Aphids Arts Company from Australia, who are bringing the production to La MaMa.

Balaton
There's nothing like good family drama. Throw in multiple generations, death, and a rich culture and you've got "Balaton", the world premiere play by Ashlin Halfnight. Directed by Kristjan Thor, "Balaton" jumpstarts the new season at Electric Pear Productions. We spoke with playwright Ashlin Halfnight for a behind-the-scenes look at this show.

Back to work in October
James Bond & Wolverine Together on Broadway!/Carrie Fisher Tells All & More!/Jude Is a Law Unto Himself!/Iraqui Aftermath: Damaged People & Ruined Lives!/Impressive Irish Drama Revivals: John Millington Synge's Playboy & Lennox Robinson's Is Life Worth Living?/Broadway's Contemporary Aristocrats Multi Star in The Royal Family/Murder the Protestants! Mexico City Troupe Musically Recreates Religious Horrors in Anjou/Robert Lepage's Ex Machina Marathon: Not Liposuction but Lipsynch.

Brain Hemorrhages and Performing Arts Reportage
Photographing Golden-Gate-Bridge w/Trick-Lens/Disastrous-Fall on Historic-Gun-Emplacement/Subdural-Hematomas: Can you have a History of Brain-Hemorrhages: How many of them before you Definitively-Die?/Wonderful Anne Hathaway in Central-Park Twelfth-Night!/Sir James Galway & Hundreds of Flautists Break Guinness-Book-of-Records Mass-Concert-Record!/Music-Critics of North-America: Last-Conference at the OK-Corral: From Print-Reviews to Internet-Blogs?

"San Francisco, Open Your GoldenGates!,"or: "I lost my Balance in San Francisco!"
A Regretful-Report on the Perils of Photographing The Golden-Gate-Bridge From a Cliff on Land’s-End, When One Is Over Eighty-Years-Old, But Still Feels Seventeen Inside…

 

Letters to the Editor

A Dramaturgical Response to the Public Theater's "Twelfth Night"
John Hudson presents a dramaturgical analysis on the allegories of religious foolishness within Shakespeare's "Twelfth Night," explaining how this should influence the acting, costumes, and staging of the performance, and asserting that Public Theater's production in Central Park this summer missed the point.

 

Theater Management

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