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Closer Look at "Core Values"
of Love" at La MaMa E.T.C.
Guy" at the Broadhurst Theatre
Views of "Ann" at the Vivian Beaumont Theatre
Hats" at the Signature Theatre
a Stranger Here Myself"
Drawer Boy" at SoHo Playhouse
III: Born with Teeth"
Caesar" at BAM
at the Ensemble Studio Theatre
by Red Fern Theatre Co. at 14th St. Y
Modern Millie" at Paper Mill Playhouse
Star!!!" at Theater for the New City
| Mortification"at La MaMa
Is a Rowdy Irish Romance
Through" at Theater for the New City
Catch" at 59E59
Theatre Company in "Talley's Folly"
Views of "The Revisionist"
Relocation in "Eterniday" at La MaMa E.T.C.
Hunter Gives Memorable Performance as “Kafka’s Monkey”
Discomfort” Explores the Land that Gave Birth to the Blues
Birthday" is Anita Loos' Fluffy Ode to Love
views of "All in the Timing" at 59E59
is a Black Comedy
– The Dream and Death of Benazir Bhutto"is
Penetrating Political Theater
Roche" at the Mint Theatre
at the Wild Project
Flick" at Playwrights Horizons
Pearl's "Henry IV, Part 1"
Old Boy" at Theatre Row
Wild Bride" at St Ann's Warehouse
at the New York Theatre Workshop
on a Hot Tin Roof" at the Richard Rogers Theatre
at the Acorn Theatre
Mystery of Edwin Drood at Studio 54"
Other Place" at Manhattan Theater Club
Flower Eater" by Victoria Linchong
Man Who Laughs" at Urban Stages Theater
of Paradise" at Theater for the New City
on Broadway" at St James Theatre
on the Prowl at St Luke's Theatre
Suit” at BAM
and Habil at the Pizza Parlor" at La MaMa
and More Wars in "The Steadfast"
J. Bufford Sings About "Body & Soul"
Theater Project's "Bethany"
Fratti directs "R.U.R" at the Harold Clurman
at the Roundabout
"Something's Got Ahold of My Heart" at La MaMa
Two views of "Golden Boy"
Teaches Us How to Be Happy in Hard Times
to Be a New Yorker?"
Afraid of Virginia Woolf?"
Back “Forbidden Broadway”
Jews Telling Jokes
Book Of Mormon"
Surface" at Theater for the New City
Modern Dance at the Joyce Theater
Northwest Ballet at City Center
Tankard's "The Oracle"
Bausch’s Orpheus and Eurydice
Lake Contemporary Ballet
Kylian's "Last Touch First"
by the Geneva Ballet
Dance" at Danspace
Gate Dance Theater from Taiwan
T. Jones Picks Up the Keys
Shemy Changing Sites
New Old "Giselle" in Seattle
Contemporánea de Cuba at Joyce Theatre
Santa Fe Ballet at Joyce Theatre
the Boston bombings through Carol Reed's "Odd Man Out"
Cat of Otama Pond"
Katy Perry: Part of Me
Extremely Lesbian and Incredibly Butch
Stupid Love"--A Convincing Argument for Monogamy
Day" -- is it "Ordinary People" Redux?
Crowe: "The Next Three Days"
Potter Needs a Shave
Will Romeo Get Circumcized for Love?
the Devil Back to Hell" An Interview with Director Virginia
Caller" You Don't Necessarily Have to Hang Up
de gare by Claude Lelouch
of Jacob Burckhardt
MORE FILM REVIEWS
Year of Magical Thinking" in St. Augustine, FL
words of Wisdom at the Ulster Bank Dublin Theatre Festival
Opera" at the Arden Theater in Philadelphia
the Mile High Culture City!
the Sun of Sarasota
in the Washington, DC and Arlington Area
d'Eschyle in Paris
Trilogy Part 1"
the Adrienne Arsht Center Studio Theatre in Miami
Loney in Jordan
Tharp in Miami
Party Time at the Carlyle
John Pizzarelli brings his quartet and his father,
Bucky Pizzarelli, to the Cafe Carlyle. The two Pizzarelli virtuosos
share the stage and give-and-take with a mutual admiration and
intimacy that envelops the music. By Elizabeth Ahlfors.
Early Night for 11 O'Clock
a special one-night only performance, producer Scott Siegel
has brought together on stage Carole J. Bufford, Scott Coulter
and Christina Bianco to present "11 O'Clock Numbers at
7 O'Clock" at Birdland. By Elizabeth Ahlfors.
Patricia Racette is not opera’s first world-class soprano
to share her down-to-earth side in an intimate cabaret. She
is, however, one of the few who is a natural. In her show at
54 Below, “Diva on Detour,” Racette demonstrated
a sharp acting talent and a flair for comedy. With her well-tempered
chest voice, this star of opera houses like the Metropolitan
Opera and La Scala chose some of the American songbooks’
favorite standards and some of the most heart-wrenching ballads
and embraced them in true cabaret diva passion. By Elizabeth
Get Busy" with Tanya Holt
In the words of a 1918 song, “There are smiles that make
us happy,” andd now there is Tanya Holt with a smile that
radiates and a voice that shines. Her one-night only show, “Forever
Home,” at the Iridum, was an offering of romance, sass,
jazz, pop delivered with the joyful love of entertaining. With
a smoky voice and a vocal belt that’s a satisfying burst
of clarity, Holt made the evening an appealing commitment between
her eclectic song deliveries and her audience. By Elizabeth
A-Maz-ing Marilyn Maye is Back and 54 Below's Got Her
Conductor Peter Nero stated, "She sets the standard for
the way any pop, jazz or big band singer would like to sound."
That still holds true. At almost 85, the irrepressible Marilyn
Maye remains as good as it gets. As Johnny Carson commented
on The Tonight Show, "And that, young singers - is the
way it’s done." By Elizabeth Ahlfors.
Nepotism Needed with Adam Guettel at 54 Below
The son of Mary Rodgers ("Once Upon a Mattress") and
grandson of Richard Rodgers (composing partner to Lorenz Hart
and Oscar Hammerstein II), Adam Guettel has developed a singular
music sound of his own. While handsome enough to star in one
of his own musicals and an expressive singer as well, Guettel
invited Stephen DiPasquale and Whitney Bashore, two exquisite
performers to join him in a 90-minute show at 54 Below. By Elizabeth
with Edward Hibbert
Edward Hibbert, familiar to many as "Gil Chesterton,"
gourmet critic on the TV series, "Frasier," does not
bound onto the cabaret stage, rarin’ to go. Stylishly,
he sails through the audience, head high, back straight, and
slight smile, and places himself before the microphone. Slowly
his smile expands to a mischievous grin and, with utmost Noel
Coward élan, performs "Why Must the Show Go On?"
And so begins his one-man show, "Can’t Something
Be Done?: An Evening with Edward Hibbert!," the show where,
he says, "I popped my cabaret cherry." A program of
clever anecdotes punctuated with songs by Cole Porter, Noel
Coward, Cy Coleman and more, whimsically traces his journey
from theater to television and now intimate cabaret at 54 Below.
By Elizabeth Ahlfors.
Lloyd at the Café Carlyle
It was memory
time at the Café Carlyle, remembering as John Lloyd Young’s
confident tenor and strikingly clear falsetto hit the money
notes in the ‘50’s and ‘60’s oldies.
The cabaret show, however, was not about the Four Seasons songbook.
Its focus was to introduce Young’s new CD, "My Turn."
By Elizabeth Ahlfors.
Pixie in Gold Lame"
Ya gotta say, Tovah Feldshuh is an entire vaudeville show wrapped
up as one sprightly imp. She makes her “under Broadway
debut” at 54 Below, singing, telling stories, cracking
jokes and sharing memories. She is a zesty, zany powerhouse
who scampers onto the stage and never rests. When she sits,
it is to morph into one of her characters, like the old man
in the park trying to stay positive and treasuring his memories,
or evoking the image of her Grandma Ada who urged her to persevere
even when young Tovah wanted to be an actor. “Reach for
the stars and you may get to the roof, “ she told Tovah.
“If you reach for the roof you may never get off the ground.”
By Elizabeth Ahlfors.
McBroom's "A Valentine Rose" at the Cafe Carlyle
“A Valentine Rose” is not kid stuff. It’s
“romance, adult style” for singer, songwriter, actor
Amanda McBroom’s debut at the Café Carlyle, bringing
a zesty lineup of music delivered with perception and humor
(“I feel like I’m in Rhonda Fleming’s living
room!”) McBroom, a stylish, outgoing, upbeat performer,
chooses some of the best from standard songwriters like Dorothy
Fields, Sammy Cahn and Jacques Brel. She also adds numerous
original songs that reach out and touch love’s various
facets. By Elizabeth Ahlfors.
J. Bufford Sings About "Body & Soul"
In her new
show at The Metropolitan Room, “”Body & Soul,”
Carole J. Bufford walks onto the stage in a slinky, sexy and
sparkling sheath. But that’s not all that sparkles. With
her powerful and at times deeply emotional delivery, Bufford
is like fireworks on the fourth of July. By Paulanne Simmons
hope, the human heart will die,” Maureen McGovern commented,
bringing an evening of hope through her lustrous voice –
a four-octave powerhouse of warmth and clarity – into
a season burdened with difficult and heartbreaking moments.
Animated, she swept onstage and joined her two fine accompanists,
Jay Leonhart on bass and musical director, Jeff Harris, with
buoyant jazz flavoring in a songbook of holiday tunes and optimistic
standards. By Elizabeth Ahlfors.
Claus is Coming
Whether it’s Christmas, Chanukah or Kwanza, just celebrate!
Celebrate something -- life, good health, each other. That’s
the advice from theater and cabaret favorite, Karen Mason. If
this year has dealt you some nasty turns, or if your holidays
are on the blue side or this is a stressful season over-crammed
with gift-giving and must-do’s, here’s a solution.
Get yourself to 54 Below, order a drink, sit back and listen
to Karen Mason, an unaffected, affable powerhouse actress/singer
with a voice that will shoot up your spirits. She will take
you to a place where effervescence bubbles up like champagne.
Her salute to the season, “Christmas! Christmas! Christmas!”
is the best approach to curing the blues and blahs. By Elizabeth
Time Is Now, with Larry Kerchner
Times change but human sentiments remain. From Cole Porter to
Dolly Parton, the best songwriters are craftsmen who fit expansive
universal feelings to music in a straightforward way. They appeal
to the man in the street. They stamp the zeitgeist of jubilation,
fury, romance, heartbreak, humor, depression, treasured memories
and secret dreams of everyday people. Some songs linger on to
become standards that touch audiences for years and even generations.
By Elizabeth Ahlfors.
Nice to Come Home To
At the Café Carlyle, John Pizzarelli and Jessica Molaskey,
the jazz world’s Bogie and Bacall, cool and simmering
at the same time, are examining concepts of home. With an undercurrent
of suffering from Hurricane Sandy’s destruction resonating
even in the posh Café Carlyle, their sophisticated exploration
could not be more timely or universal. By Elizabeth Ahlfors.
DeSare with "Making Love Songs"
“This show is all about love,” declared Tony DeSare,
and with his piano pizzazz, velvet vocals and songwriting savvy,
he brought a vivacious “Wow!” to his eclectic new
songbook, “Making Love Songs,” at 54 Below. He turned
the phrase, “All About Love,” into a jaunty opening
song, a window to an hour of well-crafted standards, show tunes,
and sharp originals. Just after his opener, De Sare and his
quartet – Mike Klopp on drums, bassist Steve Doyle and
Edward Decker strumming hard and fast on guitar – raced
into a vigorous, “Somebody Loves Me,” written by
1924 by George Gershwin. By Elizabeth Ahlfors.
Andreas is "Bemused, Bothered and Bewildered"
Calling a show “Bemused” (or is it “be-mused”?)
might evoke some bother and bewilderment in Christine Andreas’
54 Below audience. After a rhythmic, jazz-styled opener, “Get
Happy,” Andreas explained that the reason for the title
was a play on words, reading “bemused,” as “to
be mused,” the musical click that happens when just the
right singer and just the right songwriter click. By Elizabeth
with Andrea Marcovicci
After 25 years as the bright star of the Algonquin Hotel’s
Oak Room holiday season, Andrea Marcovicci has moved uptown
to the posh Café Carlyle. Before a sparkling opening
night audience, taut and radiant in a glittering platinum backless
gown, and despite an edgy political atmosphere, this eternal
romantic strolled in strumming a ukulele to, “It’s
Only a Paper Moon” and “Life Is Just a Bowl of Cherries.”
Recession or not, she makes us believe in the power of a smile.
By Elizabeth Ahlfors.
Annual Awards: Outer Critics Circle Announce 2012 13 Season
Nominees / THE 37th HUMANA FESTIVAL: Showcasing New Plays
on Main Street in Louisville / Theatre Journalism & Drama
Criticism Re Invent Themselves in the Digital Age! / THE PANEL:
Charting the Course: New Play Directors in Conversation /
A Big Kentucky Welcome To the Humana Festival: Greetings!
/ Branden Jacobs Jenkins’ APPROPRIATE / Mallery Avidon’s
O GURU GURU GURU, or why I don’t want to go to Yoga
Class with you / Jeff Augustin’s CRY OLD KINGDOM / Sam
Marks’ THE DELLING SHORE / Will Eno’s GNIT Minus
Stars / Rinnie Grof, Lucas Hnath & Anne Washburne’s
SLEEP ROCK THY BRAIN / THE FAMOUS HUMANA TEN MINUTE PLAYS
/ Sarah Ruhl’s TWO CONVERSATIONS OVERHEARD ON AIRPLANES
/ Emily Schwend’s HALFWAY / Jonathan Josephson’s
27 WAYS I DIDN’T SAY "HI" TO LAURENCE FISHBURNE
/ Re-fighting the Civil War at the Met Museum: But in Vintage
Photos / Not with Pot Shots / Islamic Art: Making the Invisible
Visible-- / SALVAGING THE PAST: Georges Hoentschel & French
Decorative Arts from the Met Museum / CONFLUENCES: An American
Expedition to Northern Burma, 1935 / At the Leslie & Lohman
Museum: Paul Thek & His Circle in the 1950s / At the Met
Museum: Diego Velázquez’ Portrait of Duke Francesco
I d’Este / At MoMA: CLAES OLDENBURG--Seminal Works:
The Street, The Store & the Mouse Museum! / At the Galerie
St. Etienne: FACE TIME: Self & Identity in Expressionist
Portraiture / Sam Maloof at Bonham’s: Iconic Rocking
Chair Sells for $43,750! / Meanwhile, Over at Christie’s
in Rock Center: the delighted eye Sets Man Ray Record! / The
Show of Shows over at the Park Avenue Armory: The Annual NY
Antiquarian Book Fair / Bill Irwin & David Shiner’s
OLD HATS / Mark Janas & DISCOVER OPERA!’s MUSILDA
/ Roald Dahl’s MATILDA / THE MUSICAL / Tanya Barfield’s
THE CALL / CRUNCH WEEK FOR THE OUTER CRITICS CIRCLE / Berry
Gordy’s MOTOWN / Douglas Carter Beane’s THE NANCE
/ Richard Greenberg’s THE ASSEMBLED PARTIES / David
Byrne & Fatboy Slim’s HERE LIES LOVE / Frank Wildhorn
& Leslie Bricusse’s JEKYLL & HYDE / Alan Cumming’s
MACBETH / Lyle Kessler’s ORPHANS / Clifford Odets’
THE BIG KNIFE / Colm Toibin’s THE TESTAMENT OF MARY
/ Horton Foote’s THE TRIP TO BOUNTIFUL / John Logan’s
I’LL EAT YOU LAST: A Chat with Sue Mengers / Stephen
Schwartz’s PIPPIN / At Christie’s: The Power of
Pink: The Princie Diamond Sells for $39,323,750 / Speaking
of Christie’s: How About $5 Million+ for Russian Works
of Art? / Building the Blue Box--with White Ribbon--over the
Rock Center Skating Rink! / Silent Stone Sentinels Stand Tall
Behind Rock Center’s Blue Box / August Strindberg’s
THE DANCE OF DEATH / Jacques Offenbach’s LA PÉRICHOLE
/ Five Major New Exhibitions at the Brooklyn Museum / Bright
Orange Walls for the Delicate Watercolors of John Singer Sargent!
/ What To Do with Old Tin Can Lids! Monumental Works by El
Anatsui! / Considering Life, Death & Transformation in
the Americas / Braddock, PA in Decline, Documented by LaToya
Ruby Frazier in A Haunted Capital / From the Archives: Fine
Lines: American Drawings from the Brooklyn Museum. / Not To
Worry: There Are Even More Brooklyn Museum Special Exhibitions
On Offer! / Bonhams & Christie’s Stage Unusual Auctions:
/ The Treasures of the Late Larry Hagman, Better Known as
JR Ewing, On Sale! / How About A Palladian Villa by Michael
J. Smith at Christie’s? / Bert Brecht & Kurt Weill’s
MAHAGONNY / Jonathan Tolins’ BUYER & CELLAR / Wright
& Forrest’s SONG OF NORWAY
Johnny Burke & Robert McEnroe's DONNYBROOK / Liz Flahive's
THE MADRID / Amy Herzog's BELLEVILLE / At the Met Museum, A
Video of NYC Street Scenes, Including the Central Park Wall
on 5th Ave / Let There Be Light at MoMA: Shadow & Light
+ Structure Brought to Light: Photos & Architecture. / Light
Streams into Labrouste's Bibliothèque St Geneviève:
Soaring Cast Iron & Epic Windows! / Lanford Wilson's TALLEY'S
FOLLY / Paul Down Colaizzo's REALLY REALLY / Guillermo Calderón's
NEVA / THE ART SHOW Is 25 Years Old & Going Strong at the
Armory--for the Henry Street Settlement. / Anna Khaja's SHAHEED:
THE DREAM & DEATH OF BENAZIR BHUTTO / Brooklyn Museum Art
Works Win $830,625 in Christie's First Open Sale! / Andy Warhol
Online Only Sale Achieves Only $2.3 Million / At the Frick:
The Impressionist Line from Degas to Toulouse Lautrec--Art from
the Clark / Go MAD & You Get THE MUSEUM OF THE FUTURE /
Rodgers & Hammerstein & Douglas Carter Beane's CINDERELLA
/ Holland Taylor's ANN / Bill Shakespeare or Chris Marlowe's
HENRY IV, PART I / Cirque du Soleil's TOTEM / David Henry Hwang's
THE DANCE & THE RAILROAD / Craig Lucas' THE LYING LESSON
/ Handsome Thomas Hampson's Masterful Master Class at MSM: Breathe,
Don't Belt / A Whale of a Show at the American Museum: Not Barnum's
Version, but Real Natural History! / Annie Baker's THE FLICK
/ Evenings at the Opera: Although Banned at the Met, a Blessed
Reprieve from Belgium! / Charles Gounod's FAUST / Riccardo Zandonai's
FRANCESCA DA RIMINI / Giuseppe Verdi's LA TRAVIATA / Giuseppe
Verdi's OTELLO / Vit Horejs' KING EXECUTIONER / Karlheinz Stockhausen's
OKTOPHONIE / Wright, Greene, & Anastasio's HANDS ON HARDBODY
/ Lanford Wilson's THE MOUND BUILDERS / More Millions Earned
at Christie's: Asian Art Week Sales Total $80.4 Million! / Futures
at Christie's: Imperial Russian Fabergé & The Collection
of the Duchess of Alba! / Jacques Offenbach's ORPHÉE
AUX ENFERS not rated / Nora Ephron's LUCKY GUY / Richard Greenberg's
BREAKFAST AT TIFFANY'S / Cyndi Lauper & Harvey Fierstein's
Now Legal, but You can get High on Theater as well! / Shakespeare
in the Shadow of the Rockies / Don't Mess with My Head! Re Programming
Ed's Memories / THE OUTSIDER ART FAIR 2013: Outlandish/Inlandish
& Almost at The Chelsea Piers / Polish Priest Learns Spanish,
While His Orphan Charge Becomes Roller Derby Charger. / At the
Met Museum: A Trio of Mini Exhibitions & a Website Enrichment
/ Blues Lovers & Video Addicts Should Flock To the Whitney
To See & Hear BLUES FOR SMOKE! / It's All About Inheritance:
Who Will Get Big Daddy's Rich Plantation--No Neck Monsters?
/ CAN VENICE BE SAVED? / New MoMA Show: Dieter Roth's Wait,
Later This Will Be Nothing / Remarkable Baronial Hall Dominates
Juilliard Production of Marital Misfires Somewhere in Italy.
/ MISS LA LA ALOFT: Edgar Degas' Painting of Black Prussian
Aerialist at Cirque Fernando / GOD HATES FAGS! Did Organized
Religion Help Kill Matthew Shepard? Talking To Locals / Who
Was That Masked Man with That Flowing Black Cape? ZORRO, of
course, But from the UK / For a "Good Time," Call
The New York City Opera: Oral Sex Onstage / at BAM, Plus 24
Naked Men! / Impressionism & Fashion at the Met! Manet &
Monet were not only into Bustles & Corsets / Marilyn "Jackie"
Horne Conducts a Masterful Master Class at Manhattan School
of Music! / At the Guggenheim: Lots of Food & Lots of Talk
& Talkers about "Art Mapping" in SE Asia / Seven
Ages of Man in Shakespeare, but Five Stages of Women Characters!
/ ANDY WARHOL Art Artifacts Up for On Line Bidding at Christie's!
/ At the Grolier: A Plenitude of Handsome "Little Magazines,"
with Beardsley & Elbert Hubbard / Clockwork Precision Marks
the Cast Work in the Hilarious Revival of Ives' Six Timed Parodies
/ A Largely Overlooked & Forgotten Irish Playwright Gets
a Second / Chance at Mint Theatre. / There's Evil Onstage at
BAM: Governess Battles Ghosts for Possession of Orphan Children
/ Piero Della Francesca in America? When Did He Arrive? How
Did He Get Through Customs? / Trio of New Shows at the Met:
Cambodian Rattan, Plain or Fancy, & Southern Poverty Photos.
/ Muni Art Society Faces New Challenges: After Hurricane Sandy,
Sustainability & Livability. / My Old UC/Berkeley Artist/Designer/Friend,
Jay DeFeo, Back at the Whitney! / Old Testament Sings Aloud:
Mendelssohn's Elijah Electrifies at the Manhattan School / Ronald
Lauder's "Magnificent Obsession" with German/Austrian
Expressionism at Neue Galerie! / Elite Private School Then &
Now: Making Boys into Men Doesn't Always Work .
Peter Brook's THE SUIT, Martin Moran's ALL THE RAGE, DRAWING
SURREALISM: The Art of Drawing as Manifest in the Creation of
Surrealist Ikons, ALBRECHT DÜRER VERY BIG AT CHRISTIE'S: World
Record for His Rhinoceros Woodcut!, Americana Week at Christie's
Totals $15 Million: Edward Hicks' Wm. Penn Fetches $2.5 Million!,
RENAISSANCE: Old Masters Week at Christie's, with the Walls
Crowded with Masterpieces!, CHRISTIE'S OLD MASTERS WEEK EARNS
TOTAL OF $88.4 MILLION, William Inge's PICNIC, Ettore Scola,
Ruggero Maccari & Gigliola Fantoni's WORKING ON A SPECIAL
DAY, Aaron Posner's Adaptation of Chaim Potok's MY NAME IS ASHER
LEV, FORTUNY Y MADRAZO: An Artistic Legacy, Own a Piece of Tatzu
Nishi? Discovering Columbus Amethyst Velvet, Couch & LED
TV For Sale!
Out with the Arts after Hurricane Sandy
What--in God’s Name--Are We To Do about Acts of God? Will NYC
Survive Another Hurricane?, Tuesday, 6 November 2012, Was Election
Day: If You Think Hurricane Sandy was Traumatic, Whatever Became
of Armistice Day? Veterans’ Day Suggests Our Wars Will Never
Stop, Already, Another Thanksgiving Day--But Still an Unlucky
Day for Big Breasted Turkeys, Nationwide, Ayad Akhtar’s DISGRACED,
Neither Snow nor Sleet nor Hurricane Sandy Kept Fine Print Dealers
from the Armory Show!, Charlie Strouse, Tommy Meehan, &
Marty Charnin’s ANNIE, Tony Chekhov’s IVANOV, James McManus’
BLOOD BROTHERS, Three Chaffers & a Cragin’s SON OF A GUN,
Beatrix Potter at the Morgan: How About Getting a Letter with
Peter Rabbit Looking Out at You!, August Strindberg’s THE STRONGER
& CASPER’S FAT TUESDAY, Richard Nelson’s SORRY, Aurelian
Bory’s SANS OBJET, The French Take Over the Park Avenue Armory
for The Salon: Art & Design! , Andy Warhol Artifacts Cram
Christie’s Galleries, Plus Big Bucks for Impressionism &
Modernism., Talk About Tax Cuts for The Rich! Sales Totals at
Christies for the Warhol Week: $525 Million, Michael John LaChiusa’s
GIANT, Kev & Wil B’s BLACK VIOLIN, Forget Pearl Harbor!
Celebrate the Post War Transformation of Tokyo as an Avant Garde
Nexus!, Out of the Ashcan & Onto Museum Walls: George Bellows,
Graduate of the Ashcan School, Concealed Compartments? Roentgen
Desks & Cabinets Are Crammed With Trick Drawers, Tommy Meehan
& Chris Curtis’ CHAPLIN, Eve Ensler’s EMOTIONAL CREATURE,
Daniele Finzi Pasca’s DONKA: A LETTER TO CHEKHOV, Joshua Elias
Harmon’s BAD JEWS, Ivo van Hove’s Modernised Shakespeare/Marlowe
ROMAN TRAGEDIES, Bruce Graham’s THE OUTGOING TIDE, Celebrating
Aromas at MAD: The Art of Scent--1889 2012, Charles Morey’s
FIGARO, Christopher Durang’s VANYA & SONIA & MASHA &
SPIKE, August Wilson’s THE PIANO LESSON, Linda Christian Sells
for Half a Million Dollars: Formerly "Lost" Diego
Rivera Portrait at Christie’s!, Kathie Lee Gifford & Friends’
SCANDALOUS: The Life & Trials of Aimee Semple McPherson,
Colorful Canvasses Now On View at the Met Museum: MATISSE: In
Search of True Painting , African Masks Again! Modernists &
Primitives: AFRICAN ART: New York & The Avant Garde., Theresa
Rebeck’s DEAD ACCOUNTS, Joseph Robinette & Jean Shepherd’s
A CHRISTMAS STORY, Ruth & Augustus Goetz’s Adaptation of
Henry James’s Washington Square: THE HEIRESS, American Masterworks
in the Bohemian National Home, Near the New Second Ave Subway,
More Records Broken at Christie’s Auction House: Edward Hopper
Sold for $9.5 Million On Line!, Food Over the Ages & Around
the World: But No Ethnic Eats Mornings: Global Kitchen at AMNH.,
Bogart & Clarke’s THE TROJAN WOMEN (After Euripides), David
Henry Huang’s GOLDEN CHILD, "Mad" King Ludwig II of
Bavaria Will Be Back in Richard Wagner’s Wahnfried Villa This
At the Frick: Mantegna to Matisse: Master Drawings from the
Courtauld in London, BASHFORD DEAN & THE CREATION OF THE
ARMS & ARMOUR DEPARTMENT!, Also At the Met Museum: Bernini
in the Basement!, At MoMA: ALINA SZAPOCZNIKOW: Sculpture Undone,
1955 1972, Birdhead, Zoe Crosher, Shirana Shahbazi & Michele
Abeles, Amazement at the Whitney: WADE GUYTON OS, Craig Wright's
GRACE, Ed Rostand's CYRANO DE BERGERAC, Gene Ionesco's RHINOCEROS,
Mario Fratti's SUICIDE CLUB & THREE SISTERS & A PRIEST,
Steven Cosson & Michael Friedman's PARIS COMMUNE, From Salvation
Army Soup Kitchen to Performing Arts Powerhouse: Thank you,
Hugh Hardy!, Dark Doings in the Dark Room: FAKING IT: Manipulated
Photography before Photoshop, ROBERT WILSON/PHILIP GLASS: Einstein
on the Beach, DÜRER TO DE KOONING: 100 Master Drawings from
Munich, JOSEF ALBERS IN AMERICA: Painting on Paper, Stephen
Belber's DON'T GO GENTLE, At the Asia Society: CHINA CLOSE UP
All Year Long!, BOUND UNBOUND: Lin Tianmiao--The Obsessive Thread
Binder, Simon Stephens' HARPER REGAN, Circolombia's URBAN, Deanna
Jent's FALLING, WW II & NYC: How New York City Helped Defeat
the Japs & the Nazis!, The Hudson River School returns to
Central Park West!, A Brief Brush with Daniel Brush at MAD:
Gold/Silver/Diamonds--Blue Steel/Gold Light , Sitting in Chris
Columbus' Sitting Room on Columbus Circle!, Pigpen Theatre's
THE OLD MAN & THE OLD MOON, Brian Friel's LOVERS, Colman
Domingo's WILD WITH HAPPY, Joe Papp Would Have Been Proud!,
Ernie Lubitsch'sTHE LOVES OF PHARAOH, Daisy Foote's HIM, Teddy
Roosevelt Rides Again! $40 Million Restoration of Memorial &
North American Mammals!, Edvard Munch Screams Again at MoMA:
Only On Loan for Six Months! Otherwise, Oslo!, The Art of Richard
Artschwager Pre empts an Entire Floor at Whitney Museum!, At
the Guggenheim: Picasso's Black & White Artworks, Plus:
Looking Ahead at Guggenheim Museums Worldwide, The Builders
Association's HOUSE/DIVIDED, Millionaires Buy Treasures of Other
Millionaires at Christie's: Artworks & Furniture Recycled!,
Not Porn! Anxiety Rather Than Arousal: Egon Schiele's Women
at Galerie St. Etienne, Edward Albee's Steppenwolf WHO'S AFRAID
OF VIRGINIA WOOLF?, Theatre Rites' MOJO, Brian Freel's THE FREEDOM
OF THE CITY, Hurricane Watch: Vintage Vincent Van Gogh Portrait
On Loan at the Frick Collection!
Back from a summer's round of European festivals, Glenn Loney
offers September's Show Notes and brief observations on museum
& gallery shows.
Wagner Festival in Historic Bayreuth in July-August 2012
Wagner für Kinder: Die Meistersinger as a Chalk Talk—with
Outstanding Actor/Singers!, The Dutchman Flies, But Without
Tattoos: Holländer as a Tempest in an Electric Fan Factory!, Don’t Get Bit by the Rats! Running to the Rathaus Won’t
Save Either Elsa or Lohengrin!, Genetic Engineering Gone Wrong
& Plucked Swans?, Human Excrement Powers Big Bio Energie
Machine as Art Installation Setting for Tannhauser!, This Is
a Place Holder for the Exclusive Interview with Festival Intendant
Katharina Wagner!, Look Where It Comes Again! Tristan as Recreation
Director on the Andrea Doria: Isolde On Deck!, Tristan und
Isolde:, For the Very Last Time: Stefan Herheim’s Magical
Fantastical Parsifal…, German History socio-politically
reprised in "Parsifal"…Or an Opera about a Big
Bed in the Middle of Haus Wahnfried?, Coming Soon to the Green
Hill: A New RING by Frank Castorf! But Will 2013 Be Unlucky?
This is the Bodensee Festival that was…, Polish Science
Fiction of the Early 1960s—SOLARIS: From Films To Opera!, Is there intelligent life on other planets?, Look Where It
Comes Again! André Chénier Returns To The Great
Lake Stage on The Bodensee!, Let’s Hear It for Schubert!
Orchestral Concert am Bodensee, David Pountney into the Sunset:
New Bregenz Intendant out of the Rising Sun!, America’s
Ed Ruscha at Kunst Haus Bregenz & Other Optical Treats…, Angelika Kauffmann Lives On in Schloss Schwarzenberg!, In
Luzern, The Dance of Death—or Totentanz—Proves a
Opera Festival 2012
LA CENERENTOLA, LA BOHÈME, TOSCA, MITRIDATE, RÉ
DI PONTO, ANTONIUS UND CLEOPATRA
Farewell to Salzberg, If Not to Arms?
Visual Arts & Museum Shows On View During the Salzburg Festival
2012, The Trapp Family Lives Again at the Panorama: Reality
& The Sound of Music Special Exhibition., At Salzburg’s
MoMA—or Museum der Moderne: John Cage und…, At The
Rupertinum of the Museum der Moderne: Merce Cunningham Dance
Movement Photos!, Celebrating Marcus Sitticus in the Dom Museum,
Curtains—on 2 September—for Salzburg’s Barock
Museum in the Mirabel Gardens!, Die Kunst zu Wohnen—Good
Housekeeping in the Late 18th Century…, Sunday, Bloody
Sunday in Salzburg: Not a Creature was Stirring, Only Some Masses
…, See Some of the Austrian Alps!
the Edge: Performance Design in the Divided States of America"
The exhibition “From the Edge,”currently on display
at La MaMa La Galleria, compiles pictures and work from 37 American
theatrical productions. Commissioned and sponsored by the USITT
(United States Institute for Theater Technology), this exhibition
represented the United States at the 2011 Prague Quadrennial,
a world celebration of performance design and theater architecture.
By Adele Bossard
long journey of Bill Donnelly's "The Tenant" from
Seoul to New York
the New City will stage the world premiere of New York-born
and bred playwright, Bill Donnelly's "The Tenant."
The four actor play introduces the character of Lucky Star after
her migration from Korea to New York City. Lucky Star, in arriving
at the doorstep of married superintendents Babe and Sam, is
the catalyst for the events of the play. Interestingly the development
of the play itself mirrors the characters journey, from Seoul,
Korea to Manhattan. By Jarrett Lyons.
Sophia Romma delivers a "dramafantasma" of the emigre
experience through quantum verse in Negro Ensemble Company's
Romma began interviewing 11 emigre's last October. All who were
interviewed came from very different backgrounds but were "performers"
in one way or another. Taking these stories and the performance
aspirations into account, Romma sets these autobiographical
stories to stage in "Cabaret Emigre." By Jarrett Lyons.
Jiler's Confessions On Dealing With Ageing
native John Jiler bares his soul on Theater for the New City's
Cabaret Theater stage this October. He performs his "intense
and wild trip" about his dealing with his father's death
as his child was in infancy, and deals with some of the existential
issues that come with it. By Jarrett Lyons.
Many facets of Jean Genet's "The Balcony"
Horizon Theatre Rep's artistic director, Raphael De Mussa and
Off-off Broadway veteran Frank Licato, working together for
the first time, highlight rebellion, iconography and public
image in Jean Genet's "The Balcony." By Jarrett Lyons.
Spark Notes--take your kids to "A For Adultery"
History buffs unite! "A for Adultery," an unusual
version of "The Scarlet Letter," will be presented
at the Little Time Square Theatre of Roy Arias Studios and Theaters
September 14 to 30, 2012. It's unusual in that, in our age of
postmodernism, this is a musical that is actually quite faithful
to the Nathaniel
Hawthorne classic. By Jarrett Lyons.
Joshua White Light Show
Philip Sandstrom delves into lighting's psychedelic past as
he interviews Joshua White of the famed Joshua Light Show, known
for ground breaking expressive light shows that first appeared
in the 1960’s at the Filmore East, a live music venue,
on 2nd Avenue in New York’s east village that is long
gone. He made an art of this special type of improvised lighting
manipulation that served as a visualization of live music. Harking
back to his original techniques, White sheds some illumination
onto the workings of his Light Show team and talks about how
this team of improvising lighting manipulators will create designs
of the moment, in a collaboration with the improvisatory musical
artists featured in six unique shows at the Skirball Theater
this September, 2012.
theater to explore victim blame--it's an artistic healing tool
Joe Capozzi, a Ridgefield, New Jersey native who was raised
with a "great, middle-class upbringing," explores
the sexual abuse he was subjected to by a local pastor in his
adolescence. He writes and stars in "For Pete's Sake,"
"an artistic healing tool" that attempts to educate
those who would wonder why and how survivors of sexual abuse
could let the abuse go on and why it is often so hard to come
forward with the truth. By Jarrett Lyons.
Below: It’s Delightful, It’s Delovely, It’s
Deluxe: It’s Broadway’s New Living Room.
Broadway is the name and cabaret is the game. 54 Below is the
new boîte created literally in the underbelly of the legendary
Studio 54, once the disco club in town and now a Broadway theater
featuring Roundabout Theatre Company productions. With major
theatricality going on upstairs, the cabaret below the sidewalk,
not associated with Roundabout, evokes a separate aura and a
definite illusion. By Elizabeth Ahlfors.
set in Stalin's era premieres at LaGuardia High School
Two Broadway artists and the real-life high school that inspired
the movie "Fame" have put their heads together to
create an opera about artists trying to make a movie musical
in Stalin's Russia. "Life of the Party," by the husband
and wife team of Nell Benjamin and Lawrence O'Keefe -- known
for their work on the Broadway show "Legally Blond: The
Musical," as well as "Cam Jansen" and "Sarah,
Plain and Tall" for Theaterworks USA -- was written for
New York City's Fiorello H. LaGuardia High School of Music &
Art and Performing Arts. Benjamin and O'Keefe said their work
was inspired by an 1997 documentary, "East Side Story,"
about Soviet movie musicals that tried to be both ideologically
correct and entertaining. By Ellen Freilich.
children's folk song animates a dance made in silence
“Pinguli, Pinguli,” choreographed by Nelly van Bommel,
draws upon multiple cultures and dance forms, the choreography
is a unique blend of theatricality, humor, and raw athleticism.
A work for nine dancers that explores community rituals and
practices, is set to traditional music from Sardinia, Sicily,
and Greece, sung by celebrated singer Savina Yannato. By Philip
explores brain mapping.
The Brodmann Areas is a new ballet that delves into the gaps
and synapses that define the 52 areas/regions of the cerebral
cortex of the brain. Vast and complex, these areas form a web
of collaborations among different parts of the brain. At its
basic level, these are the areas responsible for our interpretation
of sight, sound, touch, smell, taste. As science continues to
map the mind and its methods of perception, this ballet ventures
into decoding the impulse to action and the movement of language.
An interview with Julia K. Gleich by Philip W. Sandstrom.
Philip Sandstrom interviews Robert Swinston, Artistic Associate
of the Merce Cunningham Dance Company, about the creation of
"4 Walls/Doubletoss Interludes." Esteemed Russian
pianist Alexei Lubimov gave the Moscow premieres of several
works by John Cage in the 1960s. He has since performed an extensive
repertoire on stages throughout the world, ranging from Lincoln
Center to the Salzburg Festival. In this program, Lubimov plays
Cage’s Four Walls  with a new staging of Merce Cunningham’s
Doubletoss , arranged by Robert Swinston. Performed by
former Merce Cunningham dancers, "4 Walls/Doubletoss Interludes"
is a unique merging of the voices of Cage and Cunningham, interpreted
by artists deeply influenced by them.
Bell in " Duel"
interviews Sidra Bell as she prepares her production of "Duel"
at Baruch Performing Arts Center in Manhattan.
Skura's "Two Huts"
Philip Sandstrom interviews Stephanie Skura as she prepares
her production of "Two Huts" at Roulette Space in
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